- #Bitwig studio 2.3 firewire audio interface update
- #Bitwig studio 2.3 firewire audio interface windows
We need macro controls somewhere in the DAW. These ideas wouldn't be replacing smart controls either. The information it displays could change depending on the context of the track - or you could add tabs. I though it could be used as a contextual area. I don't see this replacing the way Logic currently use's plugins. Improvements are being addressed as opposed to ui overhauls if I'm honest, which most likely create further issues that it rectifies. Wah/guitar stomps) - that really was an un-necessary pain to setup in the past. Smart controls is a big leap from LP9 and something taken for granted now, particularly for midi controlled audio fx that are laid on audio tracks (I.e. In fact part of the hype surrounding live 10 is with the new plugins which open with larger ui's which people Must admit I find Ableton too compressed to work in, as a multi screen user I love the larger ui's that logic gives you, and for me the smart controls provide the concise option well. I think you will recognise where the inspiration came from. Please take a look at the quickly made mockups. The advantage of such a design is direct editing of converted audio to EXS24 Sampler track without having left the timeline.Ī picture says a thousand words. Sample management could be opened in a floating window for complex editing. Within this region, we can see the waveform, set in and out points, looping, key range, and have access to features such as the filter and ADSR. The EXS24 could live in the lower region and be called upon when a sampler instrument is created.
#Bitwig studio 2.3 firewire audio interface windows
Three floating windows are opened to create and modify sampled instruments - the instrument (EXS24), the edit window and finally the waveform display window. The EXS24 is cumbersome and in need of an update. X/Y modulation could be added this region, rather than living in the Midi Environment. Users can see the current plugin order, monitor plugin levels, and tweak multiple plugin parameters at once. Such a design could provide at a glance information for each plugin within the channel strip. For instance, an effect rack could be implemented natively in the lower region. This same concept could be applied to various other areas of the DAW.
#Bitwig studio 2.3 firewire audio interface update
If Alchemy is open, our smart controls update to give the user control over modulation. Smart Controls function in the lower region and provide track specific, customisable macro controls. The workflow enhancements make even more sense for the mobile musician using a MacBook and a native application, that has been enhanced for smaller screens and gesture based track pad controls. We can monitor it’s input and output, and most importantly, make adjustments to multiple plugins at once - all without having left the timeline. At a glance, we know where each plugin is in the effect chain. Within these DAWS, the lower screen region provides readily available information for the end user. Proper management of screen real estate improves workflow, reduces bottlenecks and encourages mobile production. I’ve always admired how well Ableton and Bitwig manage screen real estate.
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